LATIN AMERICAN LEAGUE OF ARTISTS AND THEIR ART SYNCRETISM VERNACULAR:
The American League of Artists is a movement created in 1990 by Alonso Jimeénez, with a clear philosophical orientción, being in full and total freedom of creation and expression, the group operates from several countries, especially in the field of plastic, poetry and ex libris, however, show different faces of art, necessarily linked to other arts such as theater, dance and music, without resorting to logical patterns, and rigorous structures, the scenery of the League, is based on the significance own, from the culture of each artist, their need is the meeting each with its microcosm, his neighborhood, his city, his food, and fantastic action coridiano individual from the collective.
The artists of the League, not due to insignificance states against cosmopolitan or internationalist discourses of fees or the arts gurus who dictate market dynamics based on opinions, not followed the fatal sectional charge connected to the monumental sense, much less a lie of the purpose, passed hemois the neo-baroque, away from the media and suparecer, leaving the wrong direction that puts us against the wall of the ideal world, which calls into vogue, or being the artist of the moment, be in force, we are ... Despite the denial and ominous and perverse action of the media and the trivialization.
______________________________________________________ On dramaturgy:
CONDITIONS BINDING THE ARTISTS TO MEET, THE EPICENTER OF THE TEATRO LA CANDELARIA BOGOTA, directed by Santiago García, WHERE IS BADILLO ACTOR FOR 30 YEARS AND JIMENEZ Artist invited to exhibit SINCE 2000, SO THEATER SURGE PROJECT CORNER ... A meeting for the defenestration, THAT IS, THE LEAP FOR THE WINDOW OF THE REPRESENTATION TO THE SUBMISSION, THE ACTOR LEAVES ITS MECHANISMS AND IS SERHUMANO At some point in the scene with their pain and joy, so does the artist CALL NOT AS WILD TO INTERVENE dramaturgy BE BUT AS ACTIVE PARTICIPANT AND DRAMA IN THE ACT, WITH CERTAIN POSTDRAMATICO SCOPE OF ITS CREATORS AND ALONSO JIMENEZ CESAR BADILLO APPLY CONCEPTS OF INTERVENTION AS A ousted PLASTIC PAINT THE THEATRE.
THE ARTIST IS CALLED NO LONGER THE creation of sceneries or curtains, BUT THE PERFORMANCE THEATRE, THE GERM chiaroscuro of the sinister and ominous that circumvents OF THE INTERIOR AND CLAUSTORFOBIA incompatibility between ARTS, implode SHORT SPACE WHERE APPLICABLE BADILLO The conjunction of Dreams and their juxtaposition NO DROP IN CASH DEOSRDENADA anarchist or meaningless. UNITY BETWEEN THE PLASTIC AND THE THEATER IS ACCOMPANIED BY THE NERVE BODY ENTERING THE CORNER PHYSICAL STRESS THAT CATCH ALL THE WEIGHT OF THE DEPTH OF SPACE, HERE ARE NO VOLUMES, BUT THE HIDDEN DIMENSION IN THE CORNER THAT MAKE ALL THE WEIGHT VECTOR OF AN EYE ATTRACTORS.
ARTS transmuted CORNER IN THE DRAFT, are interconnected to result in a syncretism of ideas, creations, are amalgamated in one direction only, SYNCRETISM OF THE ARTS.
________________________________________ ON SYNCRETISM.
WELL AS IN THE HISTORICALLY MIXTURES SHOULD ARISE IN THE WORLD, WHETHER BY conquered, penetrated VIOLENCE, ROADS curcas, trade, travel, migration, diaspora ETC ... SYNCRETISM EMERGE IN AMERICA SINGING CAME IN ANY TRAVELER HAITINA OR BRAZILIAN PLANTATION 1700, LIVE AT THE VOODOO TODAY AND STRENGTH Nanjing O Candomblé, the face of oppression ON WHITE OR Carabali Ashanti FANTI Bibis, enslaved Quillacinga OR WITH ANY Achaguas IN MINE THE PACIFIC.
HYBRIDS AS WELL AS THE PRE-INCA AND POST-MEXICO, syncretism emerging continuously, ASI, MOVEMENT JEWISH-CATHOLIC Quechua or INDO-TIPI YAKI ONE IN MEXICO MAY ALSO EXPERIENCE IN HOSTILE AREAS OF CONTEMPORARY SOCIETY, JIMENEZ HAS THE GERM Assimilated IMMERSED IN PLASTIC WITH PSYCHIATRIC HOSTELS urban drama, ON THE CINEMA OF OUR CITIES PORONOGRÁFICOS ideological consumption CHARGED WITH ACTION IN THE POTS BODYSOCIETYSICK CONSUMPTION OF VICE IN BURNING PLASTIC-POETIC IN CAPITAL OF VARIOUS COUNTRIES, OR ACTIONS STREET MAGIC MADE OF PRACTICE churches and sects, WHICH APPROPRIATION OF ACTION AT A DISTANCE AS PAGAN RITUAL IS EVIDENT charlatanism THROUGH OR IN THE CORNERS OF THE SOCIAL INDIFFERENCE, ACCOMPANIED BY AMERICAN ARTISTS GROUP OF THE LEAGUE.
URBAN LOGIC regaining a degree that denotes and connotes World Views hybrids, SYNCRETISM BROWSE BY ARTIST TIMES paramodern CONDITION, ITS ART vernacular or CREOL RAIZALES IS BUILT WITH PAINT AND LANDS, AND WOOD Utes MALOKA Or just like any of mud and REED HUT , THE COSTS OR Die tropical America. IN NO EVENT YOUR WORK IS MINIMAL OR SYNTHETIC, JUST HIS CONDITION IS POST-ROCK AND tellurium, involves moving CIRCUITS IN UNCONVENTIONAL ART, FASHION OR AWAY FROM THE GLAMOUR. WHAT IS VERNACULAR SPEECH POETRY MADE ITSELF, THE PLASTIC CARRIED BY THE ORAL TRADITION, THE PAOTIS OR OTHERWISE SAY CREÓLICO ART OF THE CREOLE O ANTHROPOPHAGY PANLINGUA OSWALD DE ANDRADE A CAST IN THE STATEMENT OF OUR PEOPLE WHO ARE STILL WALKING THE SYNCRETISM AND vernacular art.
WE FORGOT TO SAIL FROM THE SACRED AND THE PROFANE, knotted subdialects SOUL IN THE BUILD YOUR INDIVIDUAL QUOTIDIAN Fractalize between the global and the primitive, between systematizes AND THE POST-ROCK, SPRAY BETWEEN THE POST-MODERN CULTURE CHIC Ligth and anorexic THE WEST AND THE DEEP FLOW OF THE SENSES AND THEIR RELATIONSHIP TO THE LAND WHERE IS NATIVE SPIRIT AND IN THAT CONDITION THAT WE OCCIDNETE DIMENSIONAL UNIDIRECTIONAL AND STATEMENTS coact with predation and bitterness, OR POVERTY AND SEGREGATION.
Syncretic tradition FROM OUR LANGUAGES, ALSO INCLUDES THE RELIGIOUS, BUT SHE IS MORE INTERESTING anthropologists and sociologists, AS IN THIS CHAPTER IS OUR PLASTIC ARTISTS FROM THE CONSTRUCTION Hibri MENTALITY OF ARTISTIC OWN IDENTITY AS A paramodern.
________________________________________ JIMENEZ ALONSO ON THE LEAGUE DIRECTOR OF LATIN AMERICAN ARTISTS.
E mail poluka62@hotmail.com STUDIES Celular3115482671 ________________________________________ ________________________________________ Anthropologist. Universidad Nacional de Colombia, Bogotá. Cadastral and Geodesist ingeinero, Universidad Distrital Francisco José de Caldas, Bogotá. Studies painting and printing. Alfredo Atelier Moselle. Gothenburg, Sweden. HOLLOW-RECORDED Ccentral University of Ecuador, Quito. CERAMICA ASAB. Bogotá. ________________________________________
________________________________________ EXHIBITIONS
2010. BICENTEANARIO FELLOWSHIP BUILDING, INTERIOR OF SANTANDER SHARES WORK EIGHT EVENTUIALES STER, PLASTIC FOR DANCE THEATER DANCER TONA Casadiego, ADDRESS CESAR BADILLO.
2008. PENTESILEA, PLASTIC AND PERFORMANCE, MANAGEMENT CESDA BADILLO, ADAPTATION ROMERO MICHAEL KING, ASAB, BOGOTA.
2008 LIRE EN FETE, Party tornmo the book, FRNCES MINISTRY OF CULTURE AND COMMUNICATION, ARTISTS, AND COLLECTIVE CONFLUENCES ALONSO JIMENEZ DE BUENOS AIRES, EXPOSURE OF EX LIBRIS.
2008. Vernacular art, TEATROLA CANDELARIA.
2008. LIBRIS ART, THEATER VARASANTA, THE OTHER SIDE OF THE MIRROR THEATRE FOR THE PLASTIC AND PLASTIC FOR
2008. PLASTIC FOR CLARIFICATION, PROJECT CORNER THEATRE, TEATRO VARASANTA ..
2008 PLASTIC ONLY FOR A MOMENT OF ANDREA QUEJUAN, Fundación Gilberto Alzate AVENDAÑO, ADDRESS CESAR BADILLO.
2007. recorded in Latin America, CASA DE AMERICA, GENOVA ITALY.
2007.TEATRO LA CANDELARIA, OPENING OF ALTERNATIVE THEATRE FESTIVAL.
2007. CORNER THEATRE PROJECT, WITH PLASTIC ACTION STATEMENT AND ADDRESS OF CESAR BADILLO, ACTION DE SANTIAGO ALARCON, Gina Gutierrez E INTI HAYNES, NICHOLAS MUSIC MOUNTAIN.
2006, 30 PINTUTRAS, ALTERNATIVE FESTIVAL OPENING OF TEATRO, TEATRO LA CANDELARIA BOGOTA.
2005 Teatro La Candelaria, Bogota. NEW SCHOOL Lacanian psychoanalysis, BOGOTA-COLOMBIA. GALLERY ATHENS PERFORMANCHA
2005, E JIMENEZ ALONSO JIMENEZ INTI 2004 ARGENTINA, MEXICO AND COLOMBIA, screenings of ExLibris, LATIN AMERICAN LEAGUE ARTISTS, GALLERY ATHENS, AUTONOMOUS UNIVERSITY OF TOLUCA AND GALLERY COMFENALCO MEDELLIN. Lacanian Orientation School, BUENOS AIRES-ARGENTINA Teatro General San Martín. .
CALALIS 2003, Teatro La Candelaria, Bogotá.
2002 ART GALLERY BUCCHOLS
2002 PORTRAITS OF COUNTRY. Institute for the Development of Democracy Luis Carlos Galan, Bogotá.
2001 EX LIBRIS Fundación Gilberto Alzate Avendaño. TEXTS OF THE POET FEDERICO DIAZ GRANADOS.
2001 BONELESS, ATENA GALLERY. Latin American League of Artists.
A DECADE OF ART 2000 Latin American League of Artists. Expo 2000. Multiple Room of City Hall Bojacá. Cundinamarca.
1997 REFLECTIONS ON THE HUMAN and barbarism. Botanical Garden, Bogotá. COLOMBIA INTERNATIONAL EXHIBITION OF GRADUATE WITH ARTISTS OF THE UNAM.
WALKER-CURFFMAN Nigth 1996 GALLERY, Denver, Colorado. USA
1996 LATIN AMERICAN LEAGUE IN THE BRITISH COUNCIL GALLERY, Quito-ECUADOR 1995 PUSTERVIKSTEATERN, Gotemburgo.SUECIA
1995 GALLERY MANET, Gotemburgo.SUECIA.
1995 THE HUMAN BODY. Gothenburg Göteborgs KULTUR CENTER. Gothenburg SWEDEN
AUGUST 1994 MONTH OF THE ARTS. Quito, Ecuador.
1993 HALL OF DEMENTIA. TOP OF ARTS ACADEMY OF BOGOTA, Bogotá. Bogotanos ARTISTS AND ARTISTS OF SIBAT psychiatric ward, SANTA CLARA AND Horton.
1993 ART AGAINST VIOLENCE. Museum of Modern Art. Quito, Ecuador
1993 THE SELF. Central Library. Universidad Nacional, Bogotá.
1993 AP-ART House of Ecuadorian Culture. Enrique Guerrero Room. Quito Ecuador.
OUR INTERNATIONAL AMERICA 1992. Mexiarte Workshop. UNAM Mexico.
1992 cross. Eclipse. A Auditorio León de Greiff. Bogotá.
1991 ARTISTS Colombia and Ecuador. Museum of Architecture. National University Bogotá.
PUBLICATIONS ________________________________________ ________________________________________
\\\\\\\\\\\\\\\"Blasphemy, ed. Magisterium. sf -
Book Book CALALILIS 2003-EX LIBRIS
Paper 2001-2001-Paper BONELESS EX LIBRIS
2002-SYNCRETISM AND ART, ESSAY Ethnographic, Latin American League of Artists. -
2003. SYNCRETISM vernacular art, BUENOS AIRES ARGENTINA. -
INDART, CARLOS AND OTHERS, Subversion and Dialectic of Desire \\\\\\\\\\\\\\\"COVER ART, NEL, BOGOTA.
PUBLICATIONS SUPPORTED BY THE LEAGUE AND GESTINONADAS LATIN AMERICAN ARTISTS.
BADILLO, CESAR, clarification, drama, 2007, BOGOTA.
XAVIER DE LAS CASAS, THE STRANGER, POETRY, BOGOTA, 2009.
ANTHOLOGY 1, POETS FROM COLOMBIA AND EX LIBRIS DE ARGENTINA, BOGOTA, 2009.
GREY MACHINE, COLOMBIAN POETRY, ARGENTINE EX LIBRIS.
FAILURE, Letters and ESX LIBRIS, MICHAEL REY ROMERO, GUILLERMO BUSTAMNTE ZAMUDIO, SANTIAGO GARCIA, CECILIA NAVIA, CESAR BADILLO, ROBIN CARDENAS, ALONSO JIMENEZ DRAWINGS AND ARGENTINE EX LIBRIS. BOGOTA, 2010.
Manticore BLUE COLOMBIAN POETRY AND MEXICAN, BOGOTA, 2010. ARTISTS DRAWINGS Ecuador and Colombia.
SILENCE IS, CECILIA NAVIA, POETRY, 2010, BOGOTA.
CESAR BADILLO, YELLOW, drama, BOGOTA, 2010.
DIPTICO, COLOMBIAN POETRY, AND ROMANIAN mexican, BOGOTA, 2011.
FOR 2011 TO EDIT:
GUILLERMO BUSTAMANTE ZAMUDIO, legatees, minifiction.
JAVIER GUTIERREZ R. ADENTROLACASAAFUERA, DRAMATRUGIA, AWARD OF A FRENCH EMBASSY 2007.
GARZON OMAR PINTO, FARO NUDE, POETRY.
THE POSTER-ART FIFTH MEETING OF COLOMBIA FREUDIAN OTHER COUNTRY
JIMENEZ ALONSO IS DIRECTOR Latin American League of Artists. Work in the gallery of artists Jiménez Alonso www.artelista.com
Colombia
